Queer representation in cinema has had a long and complicated past, but recently with contributions from directors like Jane Schoenbrun, that representation is shifting into something new.
While Chris Nash’s flip on the slasher genre is generally seen as a failure, I’d argue the complete opposite. Nash tackled the genre and its conventions to make something new and gorier than before!
A Natural Turn on the Slasher: Chris Nash’s In a Violent Nature (2024) Read More »
It Follows has an overall melancholic feeling that protrudes through every scene. What does David Robert Mitchell have to say about melancholy in regards to the film’s story?
It Follows (2014) and the Stages of Grief Read More »
